@penny@popbob.wtfbut is this passive anger, or aggressive anger? Passive. It is passive because if Garfield has a problem with Jon specifically... he's choosing a passive way of dealing with that problem. He has not confronted Jon, and said, "Jon, I have a problem with the way you've decorated this room; as a cat, I am colorblind, and this room sends me into a rage... You've created a rage room for me here, and I don't like it; I want you to change it." Instead of that confrontational approach, though, Garfield has chosen to steal Jon's pipe... and that, in turn, angers Jon... but Jon decides to be aggressively angry, and yell at Garfield, so... now, instead of a calm conversation between two respectful parties, you have two... heated, angry individuals, each with a problem and no direct line to solving it. The layered emotions here tell a story with tight, focused brevity that would make Hemingway weep. This is an entire drama, in just three panels, people. ...but let's not be remiss, and miss the humor of the situation, the... absurdity of it all... for certainly, there is a reason that the visual shorthand for drama includes both the crying mask AND a laughing mask. Comedy and tragedy complement each other, and meld together to create drama, tension, the height of humanity, the peak of art, that reflects back to us our own condition... ...and here... in its basest form, we can laugh at this comic... yes, COMIC, in which a cat smokes a pipe... Hah... when was the last time you've SEEN such a thing in your life? Never, I presume... I certainly never have... The Greek muse, Thalia's presence is strong in this work of art, here. Comedy, it is COMEDY... and if you look at the structure again, you'll see this perfect form of thirds works magically for the transmission of, yes, YES, a JOKE. The joke.... is as old as time... even cavemen told jokes, and the joke here is that Jon has lost his pipe... or he thinks he has... but lo and behold, it is the cat, Garfield, who has the pipe. Surprise, surprise, the cat is smoking! Again, the transition, from set-up to punchline takes place between the second and third panels... but make no mistake, the comic is more than just a comic... Yes, it IS funny, of course it is... it is operating at the height of sophisticated humor, on par with any of Shakespeare's piercing wit. On the one hand, Garfield the comic, with Jon the man, humor as art... the other hand, Garfield comic, with Jon the man, stirring... no, RIVETING drama... as with everything, it is tension, and release. TENSION... and RELEASE... A cycle. I keep returning to this idea, because it is so omnipresent. Yes, you could... and yes, I have done this, on more than one occasion... you could print this comic strip on a giant piece of paper. The dimensions would be something like... thirty-four inches by eleven inches. Now, tape the ends together, with the comic facing inward. Stick your head in the middle of this Garfield comic loop and READ, start at the first panel; Jon is reading the newspaper... he feels for something on the end table. Second panel; he sets the newspaper down, something is not right... "Where could my pipe be?" he thinks. ...and then, the payoff; the third panel, Garfield has Jon's pipe, and is smoking it. But, aha! The paper is in a loop, around your head... so that you can see that, once again, Jon is in his seat, reading the paper... and so on, and so on, you can literally read the comic strip for an eternity! I spent many a relaxing Sunday afternoon reading this strip, over and over... reminded of the Portuguese death carvings, which always begin and end with the same scrawled image. [fig. 6b - Portuguese Death Carving c. 1330] So, this idea of repetition, of the beginning being the end, and the end being the beginning... It's not new, it is an ageless tradition among the best storytellers humanity has ever offered... and I'm not wrong to include cartoonist Jim Davis in that exalted set for this particular strip alone I'm not foolish enough to deny that great art is subjective... divisive, even, and that some people see this Garfield comic and shrug with no real reaction... but I will say that I believe everyone in the world should see it; at the very least, see it! You should all see it. Read it. Spend some time with it. Spend an hour reading it... what's an hour? Yes, you could watch some television program, you could play some fast-paced video games or computer games, yes, you could do all those things... But it's just an hour... and if you give this strip a chance, if you look into Jon Arbuckle's eyes... if you look into Jon Arbuckle's SOUL... You might find that you'll really be looking into your own soul. It is self discovery, that is what I'm talking about here... YOU have the opportunity, the possibility... it could change you. Don't be afraid. You know, just last week, I was eating lunch near the Municipal Court... like I do every Thursday, and... there was a plumbing banner... a plumbing van, parked out in front, uh... and a man, a plumber, would step out from the court, and retrieve something from this every so often. A few times, this happened... I thought nothing of it; just a plumber, doing some work at the Municipal Court... but then he came out, and looked through his van, and it was clear... He couldn't find something. I noticed, and thought, "Well, that's sort of similar to the Garfield comic, in a way. Someone looks for something, can't find it,"... but, yes, that probably happens billions of times a day around the world... ...but then, this plumber... put his hands on his hips... then, he scratched his head, and he said aloud...